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LUCY BELL GALLERY EXHIBITION

TIM NATHAN PHOTOGRAPHY

FLIP THE SCRIPT

50°51′6″ N 0°33′28″ E

The documentation of a personal jorney

Preview Thursday 23rd September 6-8pm
23rd September – 15th October
Gallery Open Thursday Friday Saturday and Sunday

In her famous love letter to the Cairngorms ‘The Living Mountain’ Nan Shepherd describes moments in her relationship to the landscape when “something moves between me and it. Place and mind may interpenetrate until the nature of both are altered’. something has been altered here, and we are richer for it.”
– Elizabeth Adams architect

After a successful exhibition at Bermondsey Project Space in London, in partnership with The Good Governance Institute, Tim Nathan brings his large format seascapes home to the town that gave him his inspiration.

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"It is as if the drama and anticipation of changing skies and moody seas echo the complication and confusion of our troubled minds. These scenes witnessed through a lens and cast within a frame speak of personal human pain, experiences and circumstances, temper our suffering. The sea and sky bring us a calm wonder and visceral moments in time. Nature's visual gift to us is that of peace and joy."

EDDIE KNIGHT

Nick Glass interviews Tim Nathan in the run up to the Exhibition

"FLIP THE SCRIPT
50°51′6″ N 0°33′28″ E"

TIM NATHAN PHOTOGRAPHY

The documentation of a personal journey

The Bermondsey Project Space September 2021

Many years ago I read a book by Carl Jung. It was certainly amongst the most important books that I ever read. In this book, as i remember, was a chapter on the meaning of art. There was a page with a black and white plate covering half of it, it was a picture of a harvested cornfield, flat featureless land with some crows, small and black in the distance.
The reader was invited to give an opinion on the picture. 'Bleak but unremarkable' I think was my verdict. Jung then said 'Now look at the picture again , In the knowledge that this was the last picture painted by Van Gough before he shot himself.
The experience was revelatory and though it happened forty years ago something in me must have avowed that if I ever came across such a message in a picture again I would do my best to recognise it. Such a phenomenon occurred for me for the first time since that day when Tim began posting the first his sequence of seascapes. I saw Death. I imagined 'This was the last picture the photographer took before walking into the sea' written at the bottom.
It was the darkest days of midwinter, peak morbidity and hospitalisation in the Delta Covid wave. Whatever was going on in Tim's personal universe at that time it chimed perfectly with the mood of the town, the country, maybe even of all humanity. It did not take too much imagination in those not so far off days days to feel that for the first time in many generations, once again The Reaper stalked our land.
I have lived by the sea nearly all my life, even spent some years living upon it. It is as familiar to me as my own face I have seen it go from sheet of glass to Hurricane and back again. I know it. I live by Tim I have the same view of that horizon every day as he does and yet these photographs, these pictures of that so familiar thing stopped me in my tracks, grabbed me by the scruff of the neck and commanded, Like Jung did all those years ago 'Now Look again'

– Richard Fryer

'NOW LOOK AGAIN'

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